Hamilton Jazz Master
"With dance, mime and traditional stories, songs were everywhere the principle of literature, so she started humanity in the arts," said exhaustively in his book Man and Earth the great geographer and historian Eliseo Reclus (1830-1905). The purpose of this blog is a simple contribution of knowledge to practice and daily study for years as the experience, the world of Dance and Ballet. The story is part of both artistic and social context. Since its inception, the ballet has its encounter with music, painting, sculpture, dramatic text, literature, poetry, essays and philosophy. The spread of these arts and skills, combined with a conscious in our body, its muscles, tendons, joints, know how to use them and direct them to the art of dance, will give us great satisfaction to improve daily life and physical appearance psychic each. With the method of stretching that I have made are discarded these negative interpretations of ignorance unfortunately has left many to share the freedom of movement that gives us the classical ballet, I do not have it, because it is not hard, not rigid, nor fractures or dislocations, or tendinitis occurs naturally because they are avoided with proper technique, what you need to know is what is the correct way to prepare and execute their exercises, to rid the body of tension, overdeveloped muscles and loaded weight may not become agile and elegant. As these bad habits are disappearing body provides a serene, with skill, determination and poise in their positions, and that's when the body is released for our minds respond freely and present a performance of this simple art, extremely compendious, elegant and unprejudiced. The movement is life, we guide our bodies what we ask (and wanting to hear the body and mind. )I encourage you to come over and ask me these virtual racks all the possible whys that surround this great and vast world of dance where everyone can participate. Anatomy applied to the Ballet and Dance for ten years with the choreographer, teacher and director, Alfredo Gurkel (Teatro Argentino de la Plata). Various performances of classical ballet, Spanish classical dance and modern dance, with the Youth Ballet Choreographer AB Benitez Institute of Buenos Aires. Several programs of Classical Ballet, Modern and Jazz, channels 9, 11 and 13 television in Argentina (the "Noche de Gala"), with companies O. Ferri, and Ballet Chamber of the City of Buenos Aires. Performing among other choreographies "Kid Games", "Chopiniana," "Serenade," "La Valse", "Apollyon Musagetes", etc. In addition to the TV. Globo of Rio de Janeiro and TV. Culture of Sao Paulo, Brazil. Ballet Chamber of the City of Buenos Aires. Member of the corps de ballet and soloist with the following classical repertoire: "Pas de Quatre", "Corsair", "Don Quixote", "Mascarade", "La Sylphide", etc. Under the direction of Alfredo Gurkel. Teacher and choreographer of Ballet, Modern and Jazz, in the Escola do Ballet Paula Castro (president of the Association of Dancers San Pablo). Classical repertoire choreographer, teacher in Classical and hamilton jazz master Technique, Anatomy of Movement Applied to Dance, at the Universidade Estadual da Cidade de Londrina, Brazil. Master Neoclassical and Classical Ballet, Jazz-dance, and stretching techniques applied to the movement, its own method, in various studies and Madrid Companies. . . .
